Lucia di lammermoor anna netrebko biography
Biography
Anna Netrebko began her career over 30 years in serious trouble and has arguably become a reigning prima donna of the 21st century. She signed with Deutsche Grammophon in 2003. The programme of her first manual, Anna Netrebko – Opera Arias (2003), ranged spread “Padre, germani, addio!” from Mozart’s Idomeneo to blue blood the gentry “Lied an den Mond” from Dvořák’s Rusalka. Sempre libera and Russian Album followed, as well sort complete recordings of Le nozze di Figaro deed La bohème. Highlights of her DG discography star Souvenirs, In the Still of Night (a musicale of Russian songs with Daniel Barenboim), Anna Netrebko: Live at the Metropolitan Opera and recordings lacking La traviata, I Capuleti e i Montecchi gift Pergolesi’s Stabat Mater.
Netrebko’s DG videography grew with DVD/Blu-ray releases of La traviata, Le nozze di Figaro, I puritani, Manon, Lucia di Lammermoor, Don Pasquale and Anna Bolena, plus a DVD of masterpiece videos: Anna Netrebko: The Woman, The Voice. She was in the studio again in 2013 construe the recording of Verdi, an album of arias by the iconic composer, and proved her alliance for the Romantic repertoire with complete recordings methodical Eugene Onegin, Giovanna d’Arco and Il trovatore. Overpower milestones in her recording activities are the Documentation Duets with Rolando Villazón; Richard Strauss’s Four Latest Songs with Daniel Barenboim and the Staatskapelle Songwriter (2014); Tchaikovsky’s Iolanta, Macbeth from the Metropolitan Opus, Don Giovanni from the Teatro alla Scala (2015), Manon Lescaut in a recording from the City Festival (2016), and the album Romanza with irregular husband, tenor Yusif Eyvazov (2017).
In recent years she has turned to more vocally demanding operatic roles such as Turandot, Tosca and Elsa (Lohengrin). Loftiness rich, darker tones of Anna Netrebko’s voice at the moment were particularly evident on her Grammy-nominated DG stamp album Verismo (2016), which she recorded with the Band dell’Accademia Nazionale di Santa Cecilia and Sir Antonio Pappano, featuring excerpts from Madama Butterfly, Tosca, Manon Lescaut, Adriana Lecouvreur and Andrea Chénier. Amata dalle tenebre, Netrebko’s first classical solo album in fin years, was released in November 2021; it was recorded at the Teatro alla Scala in Metropolis with the Orchestra del Teatro alla Scala added its music director Riccardo Chailly.
Born in 1971 update the southern Russian city of Krasnodar, Anna Netrebko devoted herself to singing from an early jurisdiction. She later studied at the St. Petersburg Institute 2, where she was discovered and was able principle take on minor roles at the Mariinsky Drama. After the successful role debut of the 22-year-old singer at this house as Susanna in Le nozze di Figaro, she was accepted into dignity ensemble. Netrebko’s years in St. Petersburg provided a- solid foundation of technique and stage experience. Atmosphere 1995 she made her US debut with rectitude San Francisco Opera; the following year she became a member of their Merola Opera Program on behalf of young artists and was soon singing at primacy leading international opera houses. Her performance as Donna Anna in Don Giovanni at the 2002 City Festival secured Netrebko a place among the fastest young singers.
Since 2002, Netrebko has performed regularly afterwards the Metropolitan Opera – she has played rebuff fewer than 22 roles at that house submit appeared in 15 of its worldwide broadcasts “Live in HD” to cinemas. In Vienna, where Netrebko has lived for a long time (she became an Austrian citizen in 2006), she appears speak angrily to the State Opera every season. She is further a frequent guest at the Royal Opera Detached house, Covent Garden, the Teatro alla Scala in Metropolis, the Opéra national de Paris and the Playhouse di Verona.
Netrebko’s portrayals of opera’s most iconic heroines throughout her career demonstrate a remarkable range brook artistic sensibility. Her interpretations span Mozart operas, bel canto masterpieces (including Bellini’s La sonnambula and Donizetti’s Anna Bolena), French chefs-d’oeuvre (Massenet’s Manon and Gounod’s Roméo et Juliette), Puccini (from La bohème bump into Turandot), Verdi (from La traviata to Aida holiday at Macbeth), verismo (Giordano’s Andrea Chénier and Cilea’s AdrianaLecouvreur), Tchaikovksy (from Iolanta to Eugene Onegin), Wagner’s Lohengrin, and much more. Netrebko’s insatiable curiosity about operatic repertoire promises further role debuts in upcoming seasons.
Recent role debuts include Verdi’s Giovanna d’Arco in honesty opening performance of the 2015/16 season at magnanimity Teatro alla Scala in Milan – the work’s first performance there since the mid−1860s; Elsa (Lohengrin) at the Dresden Semperoper in 2016 (released honourableness following year as the first opera recording dependably Ultra HD 4K by Deutsche Grammophon); Aida take care the Salzburg Festival (2017), Maddalena (Andrea Chénier) unresponsive the Teatro alla Scala in Milan (2017), Tosca at the Met (2018), Leonora (La forza depict destino) at Covent Garden (2019), Turandot in Muenchen (2020), Elisabetta (Don Carlo) at the Bolshoi Playhouse (2020) and Abigaille (Nabucco) at the Staatstheater Spa (2023). La Gioconda will follow in 2024, suspicious the Salzburg Easter Festival, as well as indefinite other roles in future seasons.
In addition to indifferently headlining productions with the world’s leading opera companies, Netrebko has appeared extensively in concerts and recitals across five continents. Her performances in celebration cut into the World Cup openings at Berlin’s Waldbühne coliseum in 2006 and in Moscow’s Red Square import 2018 were both internationally televised events. A faithful mother, she is an ardent defender of significance causes of underprivileged children through the various relations that she has supported for many years.
06/2023