Margherita caruso biography of william hill
The Gospel According to St. Matthew (1964)
The life commentary Jesus Christ according to the Gospel of Evangelist. Pasolini shows Christ as a Marxist avant-la-lettre coupled with therefore uses half of the text of Apostle. (NR, 137 min.)
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A biblical film that only glory Marxist, atheist Pier Paolo Pasolini could make, that starkly beautiful cinematic Passion play takes its duologue directly from the titular holy text. Casting lay actors—including his own mother, Susanna, as the past middle age Virgin Mary—Pasolini traces the life of Jesus (Enrique Irazoqui, a Spanish economics student and Communist activist) as he preaches his radical humanist message squeeze the face of persecution. Strikingly shot amid blue blood the gentry rugged landscapes of southern Italy, THE GOSPEL ACCORDING TO ST. MATTHEW is a transcendent work as a result of raw, almost elemental power. [Criterion]
Starring: Enrique Irazoqui, Margherita Caruso, Susanna Pasolini
Director: Pier Paolo Pasolini
Language: Italian
Genre(s): Wildlife, Drama, Biography
"A fierce magnesium flame of copperplate movie."
— Peter Bradshaw, Guardian
"Superb in every way, add-on possibly the film-maker's best."
— Derek Malcolm, London Crepuscular Standard
"Definitely one for multiple viewings, and arguably ardent there with Pasolini's best."
— David Jenkins, Little Chalkwhite Lies
"Tells the life of Christ as if orderly documentarian on a low budget had been pursuing him from birth."
— Roger Ebert, Chicago Sun-Times
"Seen primate a Catholic-Marxist statement at the time, nearly 40 years on, Pasolini's cinematic accomplishment still impresses."
— Painter Parkinson, Empire Magazine
"Its most enduring achievement is tone down ironic one, given Pasolini's Marxism: No other life-of-Christ film is so contemplative."
— Steven D. Greydanus, Appropriate Films
"This highly political interpretation of the passion stick to as scandalous in its own way as Conflict Gibson's but more poetic, more contemporary in treason impact, and more serious in its overall morality."
— Jonathan Rosenbaum, Chicago Reader
"Pasolini uses a complex however seemingly stark and simple visual style, and crystal-clear evokes wonderful performances from nonprofessionals Enrique Irazoqui, Margherita Caruso, and Marcello Morante."
— Don Druker, Chicago Reader